Born in 1996 in Erfurt, Germany, my artistic path began around 2010 with turntablism and sound collages, using playback devices as instruments to rearrange and transform fixed sounds on vinyl, CDs, and tapes. This early exploration led me to radio art, where I expanded my understanding of sound within the architecture of transmission.
At the Bauhaus University Weimar, I took courses in electro-acoustic composition and developed a deep interest in the use of microphone and loudspeaker as performative instruments. Alongside my studies, I assisted, toured, and performed with Limpe Fuchs, whose approach to sound and performance profoundly shaped my sense of improvisation and instrumentality.
After a few years in Halle, Leipzig and Weimar, I relocated to Berlin in 2022 to engage with the city’s Echtzeitmusik scene. Today, I work as a composer-performer within the fields of sound art and experimental music → artist statement
Over the past years, I have collaborated with many fellow artists, it has become a central part of my practice which led me to perform internationally across both independent and institutional contexts, including the C. Rockefeller Center for Contemporary Arts (Dresden), gr’Ambacht (Mechelen), Stadtmuseum (Munich), ZDB (Lisbon), Dolomiti Contemporanee (Progettoborca), ausland (Berlin), Forplay Society (Fort Kochi), Papiripar Festival (Hamburg), Space21 Festival (Slemani), and Festival Internacional de Libre Expresión (Cuernavaca).
I gratefully received support by organizations such as Musikfonds e.V., Goethe-Institut and Institut Français d’Italie. From 2019 to 2022, I co-curated the Seanaps Festival in Leipzig and have been actively involved with the NNOI community in Brandenburg.